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The created compositions are reminiscent of my family’s home in Japan ¾ extremely visual and tactile. I experiment with a range of design, textures, and glaze applications. I approach my work by manipulating contrasting colors, shapes, and patterns to create cohesive compositions. The immediate, physical interaction with clay constantly challenges me to push to the next level. My ceramic work is predominately created by alternative firings such as the Japanese inspired raku firings and barrel\/pit firings.\u003c\/p\u003e\n\u003cp\u003eIn November 2017, my work was featured in a trunk show at the Virginia Museum of Fine Arts during the opening weekend of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTerracotta Army: Legacy of the First Emperor of China.\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eThe following month, my ceramics were part of the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eArtisan Display: Handcrafted Stories\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eexhibit at the Lewis Ginter Botanical Garden in December 2017. My work was part of the CURRENT Art Fair in Richmond, Virginia (October 2019). CURRENT, Richmond's first contemporary art fair, featured works from local, national, and internationally recognized artists. Over the years, my work has been juried in numerous all-media art shows including in the Workhouse International Clay Invitational (Fairfax, VA) in 2018.\u003c\/p\u003e","brand":"2026 May Members Only Exhibition: \"Sun, Moon, and Stars\"","offers":[{"title":"Default Title","offer_id":51970892071214,"sku":null,"price":210.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/8101\/files\/Boykin_LilySnow_CelestialSeries_1_Clay_210_1.jpg?v=1776565239"},{"product_id":"boykin-lily-snow-title-celestial-series-2","title":"Boykin, Lily Snow Title: Celestial Series #2","description":"\u003cp\u003e\u003cstrong\u003eLily Snow Boykin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eCelestial Series #2\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7.75 x 5.50 x 3\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStandard Clay 239 - Alternative Firing Raku\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e$325\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eContinued clay exploration using alternative firing methods including raku and glaze applications.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eArtist's Statement:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMy work is influenced by my Japanese heritage and surrounding environment. The created compositions are reminiscent of my family’s home in Japan ¾ extremely visual and tactile. I experiment with a range of design, textures, and glaze applications. I approach my work by manipulating contrasting colors, shapes, and patterns to create cohesive compositions. The immediate, physical interaction with clay constantly challenges me to push to the next level. My ceramic work is predominately created by alternative firings such as the Japanese inspired raku firings and barrel\/pit firings.\u003c\/p\u003e\n\u003cp\u003eIn November 2017, my work was featured in a trunk show at the Virginia Museum of Fine Arts during the opening weekend of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTerracotta Army: Legacy of the First Emperor of China.\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eThe following month, my ceramics were part of the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eArtisan Display: Handcrafted Stories\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eexhibit at the Lewis Ginter Botanical Garden in December 2017. My work was part of the CURRENT Art Fair in Richmond, Virginia (October 2019). CURRENT, Richmond's first contemporary art fair, featured works from local, national, and internationally recognized artists. Over the years, my work has been juried in numerous all-media art shows including in the Workhouse International Clay Invitational (Fairfax, VA) in 2018.\u003c\/p\u003e","brand":"2026 May Members Only Exhibition: \"Sun, Moon, and Stars\"","offers":[{"title":"Default Title","offer_id":51970893938990,"sku":null,"price":325.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/8101\/files\/Boykin_LilySnow_CelestialSeries_2_Clay_325_1.jpg?v=1776565412"},{"product_id":"boykin-lily-snow-title-celestial-series-3","title":"Boykin, Lily Snow Title: Celestial Series #3","description":"\u003cp\u003e\u003cstrong\u003eLily Snow Boykin\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eCelestial Series #3\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e5 x 4.50 x 2\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStandard Clay 239 - Alternative Firing Raku\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e$135\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eContinued clay exploration using alternative firing methods including raku and glaze applications.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eArtist's Statement:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eMy work is influenced by my Japanese heritage and surrounding environment. The created compositions are reminiscent of my family’s home in Japan ¾ extremely visual and tactile. I experiment with a range of design, textures, and glaze applications. I approach my work by manipulating contrasting colors, shapes, and patterns to create cohesive compositions. The immediate, physical interaction with clay constantly challenges me to push to the next level. My ceramic work is predominately created by alternative firings such as the Japanese inspired raku firings and barrel\/pit firings.\u003c\/p\u003e\n\u003cp\u003eIn November 2017, my work was featured in a trunk show at the Virginia Museum of Fine Arts during the opening weekend of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eTerracotta Army: Legacy of the First Emperor of China.\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eThe following month, my ceramics were part of the\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eArtisan Display: Handcrafted Stories\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eexhibit at the Lewis Ginter Botanical Garden in December 2017. My work was part of the CURRENT Art Fair in Richmond, Virginia (October 2019). CURRENT, Richmond's first contemporary art fair, featured works from local, national, and internationally recognized artists. Over the years, my work has been juried in numerous all-media art shows including in the Workhouse International Clay Invitational (Fairfax, VA) in 2018.\u003c\/p\u003e","brand":"2026 May Members Only Exhibition: \"Sun, Moon, and Stars\"","offers":[{"title":"Default Title","offer_id":51970894856494,"sku":null,"price":135.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/8101\/files\/Boykin_LilySnow_CelestialSeries_3_Clay_135_1.jpg?v=1776565535"},{"product_id":"titus-mel-title-universal-presence","title":"Titus, Mel Title: Universal Presence","description":"\u003cp\u003e\u003cstrong\u003eMel Titus\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eUniverse Presence\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e24 x 10 x 3\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRaku Clay and Wood\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e$310\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHandbuilt clay pieces depict the sky's presence. The sun radiates warmth. The moon with its bright glow. The stars, the beacon of hope and spiritual love. Together they shine on everyone without discrimination.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eArtist's Statement:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eWhether my work is functional or sculptural, each clay piece is designed to honor the beauty and mystery we all share through Nature. Nature is my boundless inspiration that challenges my creative spirit to see and express into an organic and whimsical world.\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e","brand":"2026 May Members Only Exhibition: \"Sun, Moon, and Stars\"","offers":[{"title":"Default Title","offer_id":51973731090734,"sku":null,"price":310.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/8101\/files\/Titus_Mel_UniversalPresence_Clay_310.jpg?v=1776708989"},{"product_id":"whitman-jim-title-resilience-no-1","title":"Whitman, Jim Title: Resilience No. 1","description":"\u003cp\u003e\u003cstrong\u003eJim Whitman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eResilience No. 1\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e8.75 x 8.125 x 8.125\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePorcelain with Manganese Oxide\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e$175\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“Resilience No. 1” explores transformation in the wake of violence. A fiber brush, dipped in manganese oxide, was used to assault the vessel while the clay was still soft. Approaching the clay's breaking point, the mark left behind remains raw while the interior is glazed to ensure the vase is watertight.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eArtist's Statement:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOscar Wilde once said works of art are as useless as flowers, good for just a fleeting moment of joy.  If he's right, then the pursuit of uselessness in useful ceramic ware, i.e., making something that can both serve a function and serve as an object of beauty in its own right, is what motivates me as a potter. Indeed, I most enjoy making unusual vases, and because their only purpose is to hold “useless” flowers, I happily admit that most of my work is doubly useless—with the hope that each piece gives twice the amount of joy.\u003c\/p\u003e\n\u003cp\u003eBy twisting, folding, poking, prodding, and sometimes violently assaulting the clay, I try to capture its endless flexibility while also blurring the boundary between art and utility. Rather than seek perfect symmetry, I purposely distort my pieces, set them off-center, or juxtapose incongruent elements. With minimal use of color and glazes, my pottery celebrates the honesty and immediacy of raw, unglazed surfaces, which create a tactile bridge from me to you. I embrace, and try to encourage, the unpredictability of clay, as the space between intention and chance most often holds those moments of joy.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"May 2026 All Media Juried Exhibition","offers":[{"title":"Default Title","offer_id":51975676199214,"sku":null,"price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/8101\/files\/Whitman_Jim_ResilienceNo.1_Porcelain_175.jpg?v=1776804732"},{"product_id":"whitman-jim-title-resilience-no-7","title":"Whitman, Jim Title: Resilience No. 7","description":"\u003cp\u003e\u003cstrong\u003eJim Whitman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eResilience No. 7\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e11.875 x 7.625 x 6.5\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhite Stoneware with Cobalt Oxide\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e$175\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“Resilience No. 7” explores transformation in the wake of violence. A fiber brush, dipped in cobalt oxide, was used to assault the vessel upside-down while the clay was still soft. Approaching the clay's breaking point, the mark left behind remains raw while the interior is glazed to ensure the vase is watertight.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eArtist's Statement:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOscar Wilde once said works of art are as useless as flowers, good for just a fleeting moment of joy.  If he's right, then the pursuit of uselessness in useful ceramic ware, i.e., making something that can both serve a function and serve as an object of beauty in its own right, is what motivates me as a potter. Indeed, I most enjoy making unusual vases, and because their only purpose is to hold “useless” flowers, I happily admit that most of my work is doubly useless—with the hope that each piece gives twice the amount of joy.\u003c\/p\u003e\n\u003cp\u003eBy twisting, folding, poking, prodding, and sometimes violently assaulting the clay, I try to capture its endless flexibility while also blurring the boundary between art and utility. Rather than seek perfect symmetry, I purposely distort my pieces, set them off-center, or juxtapose incongruent elements. With minimal use of color and glazes, my pottery celebrates the honesty and immediacy of raw, unglazed surfaces, which create a tactile bridge from me to you. I embrace, and try to encourage, the unpredictability of clay, as the space between intention and chance most often holds those moments of joy.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"May 2026 All Media Juried Exhibition","offers":[{"title":"Default Title","offer_id":51975682851118,"sku":null,"price":175.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/8101\/files\/Whitman_Jim_ResilienceNo.7_Clay_175.jpg?v=1776805109"},{"product_id":"whitman-jim-title-ikebana-cubed-no-2","title":"Whitman, Jim Title: Ikebana Cubed No. 2","description":"\u003cp\u003e\u003cstrong\u003eJim Whitman\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIkebana Cubed No. 2\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e4.5 x 8.125 x 6\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhite Stoneware with Layered Glazes\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e$200\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAn ikebana flower vase that embraces contradiction. A wheel-thrown well, intentionally set off-center, is encased by a hand-built hollow cube with soft, rounded right angles. The dark, rich, and layered glazes melt and drip against the raw, white stoneware.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 128, 0);\"\u003e\u003cstrong\u003eArtist's Statement:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOscar Wilde once said works of art are as useless as flowers, good for just a fleeting moment of joy.  If he's right, then the pursuit of uselessness in useful ceramic ware, i.e., making something that can both serve a function and serve as an object of beauty in its own right, is what motivates me as a potter. Indeed, I most enjoy making unusual vases, and because their only purpose is to hold “useless” flowers, I happily admit that most of my work is doubly useless—with the hope that each piece gives twice the amount of joy.\u003c\/p\u003e\n\u003cp\u003eBy twisting, folding, poking, prodding, and sometimes violently assaulting the clay, I try to capture its endless flexibility while also blurring the boundary between art and utility. Rather than seek perfect symmetry, I purposely distort my pieces, set them off-center, or juxtapose incongruent elements. With minimal use of color and glazes, my pottery celebrates the honesty and immediacy of raw, unglazed surfaces, which create a tactile bridge from me to you. I embrace, and try to encourage, the unpredictability of clay, as the space between intention and chance most often holds those moments of joy.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"May 2026 All Media Juried Exhibition","offers":[{"title":"Default Title","offer_id":51975685079342,"sku":null,"price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0780\/8101\/files\/Whitman_Jim_IkebanaCubedNo.2_Clay_200_1_1ecfddce-1b03-4399-ae51-73c6ca0948c5.jpg?v=1776805638"}],"url":"https:\/\/www.crossroadsartcenter.com\/collections\/clay\/brown.oembed","provider":"Crossroads Art Center","version":"1.0","type":"link"}